Chastity, ‘Suffer Summer’ — 4.5/5 stars
Suffer Summer is an album largely about happiness, but one that looks from the outside of happiness, wondering why it’s just out of reach.
Suffer Summer is an album largely about happiness, but one that looks from the outside of happiness, wondering why it’s just out of reach.
Ruby Singh’s new album, Vox.Infold, is a truly immersive, exciting experience. With lofty ideas, wildly experimental composition, intricate mixing and unexpected digital processing, Singh has crafted something fresh and vital.
Since being dug up from the crates, Keyboard Fantasies has been endlessly namechecked and lauded by contemporary tastemakers. This late-in-the-game rediscovery of Copeland’s spectral, spiritual music has now produced a full album of covers and remixes, Keyboard Fantasies Reimagined.
Winnipegger John Einarson has had an illustrious career documenting the careers of rock and folk legends like Neil Young, the Flying Burrito Brothers and Buffy Sainte-Marie. Beyond chronicling these legends, his work has maintained a focus on Winnipeg’s unique music scene — one that he was a part of in the ’60s and ’70s, performing with giants like Randy Bachman and Frank Zappa’s band the Mothers of Invention. Einarson’s book Shakin’ All Over: The Winnipeg Sixties Rock Scene saw some success in detailing the scene that produced breakout stars like the Guess Who and Neil Young.
The Good Will Social Club was lit purple on the night of Nov. 20 for the first live showcase of the House of Wonders roster.
Beginning as the solo project of Isiah Schellenberg, former member of indie bands brite and notme, Winnipeg’s meadows has expanded its membership and established itself as one of the most exciting and prolific acts in the city. Among the three EPs released in the past year, its most cohesive is wild flower.
Toronto-area indie rockers Casper Skulls are back from a four-year hiatus since their debut record Mercy Works, with their harsh edges dulled and their spirits wizened. Originally drawing comparison to noisy art rock legends like Pavement and Sonic Youth, their new album Knows No Kindness brings influence from ’70s folk rock and alt-country, with widescreen expansiveness and a renewed focus on songwriting and storytelling.
Littleworlds, the second album by Michael Falk’s solo project Touching, has grand aspirations. Falk points to dramatic, anthemic rock bands like Frightened Rabbit and Manchester Orchestra, freak folk auteur Richard Dawson and trip-hop legends Massive Attack as primary influences. A wide range of touchpoints, but oddly apt, in a sense.
Olivia Norquay, local horror aficionado and host of the feminist horror radio show BIKINI DRIVE-IN, is the most recent addition to the programming staff at the Winnipeg Film Group’s illustrious arthouse theatre, the Cinematheque. Since her hiring in April, Norquay has made her presence felt with a number of great showings and live post-screening discussions with her and BIKINI DRIVE-IN co-host Jill Groening.
Astrocolor has their mind set on one thing in their new album, Paradise: a relaxing beachside vacation. Though hailing from the not-exactly-tropical city of Victoria, B.C., they nevertheless channel all the island life energy they can muster. Press photos show the appropriately middle-aged band in pastel button-downs, slim-fit khakis, tasteful Ray-Bans and boat shoes with no socks, enjoying the sunlight and laughing with drinks in their hands.