For those who want to get a taste of Winnipeg’s art scene this month without having to physically go to a gallery, look no further than Buffy Sainte-Marie: Pathfinder, a virtual exhibition on now through the Urban Shaman Contemporary Aboriginal Art Gallery.
Ghostly Kisses’s work is overflowing with restraint. Singer-songwriter Margaux Sauvé and her partner Louis-Étienne Santais recorded her debut full-length Heaven, Wait largely at home, and the music reflects this with a whispery intimacy.
Suffer Summer is an album largely about happiness, but one that looks from the outside of happiness, wondering why it’s just out of reach.
Music has been always been a part of Raine Hamilton’s life. They began violin at a young age and were inspired by an early appearance by Yo-Yo Ma on Sesame Street to make music their lifelong pursuit.
Ruby Singh’s new album, Vox.Infold, is a truly immersive, exciting experience. With lofty ideas, wildly experimental composition, intricate mixing and unexpected digital processing, Singh has crafted something fresh and vital.
Art is, of itself, an intersection. Lyrics of poetry come from songs past, evoking powerful imaginings of stories told. One of the current artists who understands this deep connection intersecting art, life, myth and tradition is award-winning Inuk artist Tanya Tagaq. An emotional powerhouse of womanhood, motherhood, community, reclamation and embracing your roots, Tongues may be Tagaq’s best album to date.
’Tis the season for holiday music to fill the air. From classics to covers and everything in between, the Manitoban staff are getting into the holiday spirit by sharing our favourite seasonal songs, and some we would rather forget. Pour the eggnog, press “play” and enjoy.
Toronto-area indie rockers Casper Skulls are back from a four-year hiatus since their debut record Mercy Works, with their harsh edges dulled and their spirits wizened. Originally drawing comparison to noisy art rock legends like Pavement and Sonic Youth, their new album Knows No Kindness brings influence from ’70s folk rock and alt-country, with widescreen expansiveness and a renewed focus on songwriting and storytelling.
The popular phrase “beauty is in the eye of the beholder” is perhaps the best way to summarize the events that happened between July 2017 and May 2018 in Markham, Ont. On a July morning that fateful year, the residents of Cathedraltown — a residential neighbourhood of Markham — awoke to find a giant chrome cow on 25-foot tall stilts in the parkette that acts as a front lawn to some houses on Charity Crescent.
Astrocolor has their mind set on one thing in their new album, Paradise: a relaxing beachside vacation. Though hailing from the not-exactly-tropical city of Victoria, B.C., they nevertheless channel all the island life energy they can muster. Press photos show the appropriately middle-aged band in pastel button-downs, slim-fit khakis, tasteful Ray-Bans and boat shoes with no socks, enjoying the sunlight and laughing with drinks in their hands.