As the climate crisis escalates, it is important to remember the interconnectedness of nature and humanity. Adaptation has never been more imperative if we wish to continue to call Earth home and preserve the beautiful natural world. Montreal-based interdisciplinary artist Frances Adair Mckenzie’s latest project, The Orchid and the Bee, is an artistic reminder of this connection.
This month, the Royal Manitoba Theatre Centre presents Sea Sick, written and performed by Alanna Mitchell, as part of the second annual The Bridge: A Festival of Ideas.
How Is It That I Should Look At The Stars is indeed a more nocturnal, wistful record than the danceable, brooding Ignorance. The arrangements for these songs float, unmoored by time, carried largely by spare piano work adorned with pillowy ribbons of woodwinds and warm upright bass. This ethereal, minimal production establishes a very direct emotional connection with the listener, highlighting Lindeman’s voice.
If there was ever a local example of how hard work pays off, CBC journalist Sheila North’s memoir is proof. My Privilege, My Responsibility documents the hard work North put into her own education growing up in Bunibonibee Cree Nation — known in English as Oxford House — that contributed to her rise from a journalist at CTV News Channel (CTV) and CBC to becoming the first female grand chief of Manitoba Keewatinowi Okimakanak (MKO).
Dallas Good, singer and guitarist of Toronto-based band the Sadies, passed away on Feb. 17. As described in the announcement, it was a sudden death of natural causes at the tragically young age of 48.
Orrery consists of 24 ceramic vessels which are arranged on a mechanized platform that rotates the various rows of sculptures and imitates the movement of celestial bodies. More specifically, the WAG’s website explains its title “references the popular astronomic mechanical model used to represent the positions, motions and phases of the solar system.”
OMBIIGIZI, a new collaborative project from artists Zoon and Status/Non-Status, is about searching. Sewn Back Together, as the title implies, establishes that the pair has been broken apart somehow, left looking for their place in history, their identity, trying to mend themselves.
Basia Bulat, like many of us, spent the pandemic slowing down. She describes spending time in the garden, putting down roots and waiting for melodies and songs from her past to come back to her. The title track of her new record, The Garden, served as a guiding light for this process.
World Discovered Under Other Skies is comprised of large-scale paintings, unconventional ceramic tiles and drawings which address a wide variety of topics. Curated by Amin Alsaden, the exhibit is sure to intrigue those who are interested in the expansion of painting into multimedia installations that speak to identity, politics, history and the common links that unite us all.
Tie on a ceinture fléchée, pull on a toque and head down to Whittier Park — Festival du Voyageur is semi-virtual this year.