Niall Mutter, ‘Pass Me By’ — 3/5 stars
By
For the past near-decade, the indie world has been afflicted with the “post-Mac DeMarco malady.” Not that it’s always a bad thing, but for a long time people have been latching onto the watery,...
Cassidy Mann, ‘If It’s Not Forever’ — 3.5/5 stars
By
Winnipeg-born singer-songwriter Cassidy Mann does a lot of reminiscing on her new EP, If It's Not Forever. The songs here are preoccupied with the evocative moments from love affairs that stick with you long...
Maylee Todd, ‘Maloo’ — 3.5/5 stars
By
Multidisciplinary artist Maylee Todd has had a wild, varied career. Beginning her career as a comedian, she has since branched out into performance art, animation and music. All these elements come together on her...
Rainy Day Ritual and post-internet music
By
Rainy Day Ritual is the brainchild of Samwauw, or just Sam, a young artist with a lot on his mind.
Building an inclusive space in music production
By
Despite recent strides, inequality and a lack of representation persist in the music production world. This field in particular is a very male-dominated space, with women representing only 2.6 per cent of producers credited...
The Weather Station, ‘How Is It That I Should Look At...
By
How Is It That I Should Look At The Stars is indeed a more nocturnal, wistful record than the danceable, brooding Ignorance. The arrangements for these songs float, unmoored by time, carried largely by...
A tribute to Dallas Good and the Sadies
By
Dallas Good, singer and guitarist of Toronto-based band the Sadies, passed away on Feb. 17. As described in the announcement, it was a sudden death of natural causes at the tragically young age of...
Articles By:





