March 25 will see the release of Salma Hindy’s debut stand-up album, Born on 9/11. Recorded live in Toronto, Ont., the album will be released through Comedy Records, Canada’s first record label dedicated to comedy albums.
The Queen of Basketball by Canadian filmmaker Ben Proudfoot is the inspiring story of Lusia “Lucy” Harris from her childhood in Minter City, Miss. to her induction into the Basketball Hall of Fame.
After the live production of Bad Parent by Ins Choi was cancelled, Prairie Theatre Exchange (PTE) is presenting a duo of digital theatre shows to run throughout the month of March and the beginning of April. The projects are available to view for free on the company’s website.
Rainy Day Ritual is the brainchild of Samwauw, or just Sam, a young artist with a lot on his mind.
In March, the National Film Board of Canada (NFB) is celebrating unique voices in film from a diverse array of individuals. This month, it is highlighting the perspectives of women and Inuit filmmakers and, like most of its collection, the NFB will be offering these films free of charge. The first two presentations are feature-length documentaries which will be released on March 8 in honour of International Women’s Day.
Despite recent strides, inequality and a lack of representation persist in the music production world. This field in particular is a very male-dominated space, with women representing only 2.6 per cent of producers credited on the highest-charting songs of the 2010s in America. Local songwriter, artist and producer Lana Winterhalt sees a complex history behind this issue.
As the climate crisis escalates, it is important to remember the interconnectedness of nature and humanity. Adaptation has never been more imperative if we wish to continue to call Earth home and preserve the beautiful natural world. Montreal-based interdisciplinary artist Frances Adair Mckenzie’s latest project, The Orchid and the Bee, is an artistic reminder of this connection.
This month, the Royal Manitoba Theatre Centre presents Sea Sick, written and performed by Alanna Mitchell, as part of the second annual The Bridge: A Festival of Ideas.
How Is It That I Should Look At The Stars is indeed a more nocturnal, wistful record than the danceable, brooding Ignorance. The arrangements for these songs float, unmoored by time, carried largely by spare piano work adorned with pillowy ribbons of woodwinds and warm upright bass. This ethereal, minimal production establishes a very direct emotional connection with the listener, highlighting Lindeman’s voice.
If there was ever a local example of how hard work pays off, CBC journalist Sheila North’s memoir is proof. My Privilege, My Responsibility documents the hard work North put into her own education growing up in Bunibonibee Cree Nation — known in English as Oxford House — that contributed to her rise from a journalist at CTV News Channel (CTV) and CBC to becoming the first female grand chief of Manitoba Keewatinowi Okimakanak (MKO).