Dallas Good, singer and guitarist of Toronto-based band the Sadies, passed away on Feb. 17. As described in the announcement, it was a sudden death of natural causes at the tragically young age of 48.
OMBIIGIZI, a new collaborative project from artists Zoon and Status/Non-Status, is about searching. Sewn Back Together, as the title implies, establishes that the pair has been broken apart somehow, left looking for their place in history, their identity, trying to mend themselves.
Basia Bulat, like many of us, spent the pandemic slowing down. She describes spending time in the garden, putting down roots and waiting for melodies and songs from her past to come back to her. The title track of her new record, The Garden, served as a guiding light for this process.
Sam Weber, a Canadian-born, newly minted Angeleno, follows in a long line of SoCal folk-rockers. Echoes from Laurel Canyon resonate in his music: the sound of transplants from across the continent, like Neil Young and Joni Mitchell, or the consummately pro singer-songwriters of the ’70s, like Warren Zevon and Randy Newman. But as Weber says in “Survival,” he’s “not looking for some ’70s revival.”
Ghostly Kisses’s work is overflowing with restraint. Singer-songwriter Margaux Sauvé and her partner Louis-Étienne Santais recorded her debut full-length Heaven, Wait largely at home, and the music reflects this with a whispery intimacy.