November Underground — ‘November Underground,’ 4/5
There are generally two modes when it comes to decade-specific revivalism: those artists who embody a particular aesthetic ideal without committing fully to the sound…
There are generally two modes when it comes to decade-specific revivalism: those artists who embody a particular aesthetic ideal without committing fully to the sound…
The cre8ery gallery and studio has a treat in store for art lovers this month: an exhibition titled Two Painters: A Visual Dialogue — David…
Like just about every record from Halifax, N.S., pop-maximalist Rich Aucoin’s latest multi-coloured dispatch arrives on the back of a concept. Even so, the sparkling…
Figure Walking’s 2017 debut, The Big Other, was lean and thrilling post-punk, a seedy dash through crowded city streets and purple alleyways, all steam and…
Manitoba-born Kandis Friesen is a multimedia artist whose work mainly centres on archival processes, diasporic languages and cultures closely intertwined with her family history. Friesen…
The artwork for the debut record from Silver Clouds — with its splattered psychedelia and tossed-off lemon slice — recalls immediately the cover of the…
Bold, bright and colourful — these are the words that best describe the energy emanating from the work of Winnipeg Oji-Cree artist Jordan Stranger. Originally…
The Prairie Joggers make simple songs with complicated hearts. The Winnipeg duo’s chipper, dust-blown sound is reliant on dense lyricism and memorable melodies rather than…
Ada Lea’s debut record, 2019’s What We Say in Private, was a prickly and elastic rock composition, built from bent folk guitars and an itching…
Cody Goertzen and Adam Hill are keeping busy while the world burns outside, attempting to make the most of this collective isolation. “We’re doing okay,”…