As winter is finally melting into spring and our familiar feathery friends return, live music is also slowly returning to music venues across the city. Not only has it been a long winter, it has been a long two years for local Winnipeg band North Graffiti. To celebrate this return of somewhat normalcy, the band is set to release its album Modern Relics at the Park Theatre on April 9 with opening acts the 12/21 and Mobina Galore.
Arts & Culture
Self-described as adding “modern flare to a vintage aesthetic,” North Graffiti’s album Modern Relics successfully reflects its musical tagline. Just like the album’s cover, the “punk & roll” local group pulls together the fragments of vintage punk and rock past with present instrumentals.
This month, you can catch two new online productions from the University of Manitoba’s theatre program. The first show is Antigone Now by Melissa Cooper and the second is The Theory of Everything by Prince Gomolvilas. The plays are being presented as part of the theatre program’s Lunch B.H.A.G.G. series: “short, one-act shows” that are directed by students and meant to be held during lunch hours, hence the play on the word “lunch bag.”
Since its advent in the summer of 2000, the Stone Cold jug has been a budget-friendly option for local drinkers of all sorts. Brewed by the Fort Garry Brewing imprint Two Rivers, the draft is noted for its questionable flavour.
With the easing of COVID-19 capacity restrictions, local bands are beginning to perform, practice and record music with some degree of normality, and MOSA is one of them. Between rescheduling a postponed show and preparing for an album release, the local four-piece grunge band is firing on all cylinders. The Manitoban sat down with rhythm guitarist and lead vocalist Hannah Palamer to chat about the band and what the future holds for them.
As the pandemic enters the liminal space of being over politically yet scientifically very much ongoing, the Manitoba Museum continues its free and accessible online programming. The Planetarium’s online DOME@HOME program will be continuing its weekly series into the foreseeable future, even with the possibility of a return to in-person events.
Just in time for World Theatre Day on March 27, the Royal Manitoba Theatre Centre has mounted Calpurnia, a provocative work written by the theatre’s own associate artistic director Audrey Dwyer. The play explores the significant issues of privilege, race and intersectionality, but is billed as a comedy — a challenging balance to maintain.
There have been many variations on the classic detective story over the years, with just as wide a range of subjects in the role of crime-solving protagonist. As such, it’s not uncommon to read books about unlikely detectives — but have you ever read about a veterinarian who solves crimes? This is exactly what local author Philipp Schott imagines in his upcoming book Fifty-Four Pigs: A Dr. Bannerman Vet Mystery. The novel focuses on Dr. Peter Bannerman, a veterinarian in the town of New Selfoss, a fictional Icelandic-Canadian community akin to Gimli, Man.
For the past near-decade, the indie world has been afflicted with the “post-Mac DeMarco malady.” Not that it’s always a bad thing, but for a long time people have been latching onto the watery, chill, bedroom pop style and using the aesthetic to cover up lazy songwriting. It’s refreshing to hear something good in this tired idiom for once. Niall Mutter, through the power of being a smart songwriter, has done just that on his new EP, Pass Me By.
Winnipeg-born singer-songwriter Cassidy Mann does a lot of reminiscing on her new EP, If It’s Not Forever. The songs here are preoccupied with the evocative moments from love affairs that stick with you long after the relationship ends.