The revolution will not be classicized
Set against an orange background, a wheel-less pink vintage Buick is represented in the painting “La Patera” (“The Raft,” 2002) by Armando Marino. The car…
Set against an orange background, a wheel-less pink vintage Buick is represented in the painting “La Patera” (“The Raft,” 2002) by Armando Marino. The car…
Winnipeg author Margaret Sweatman’s book, The Players, is not something I would recommend for my mom to read. That having been said, I loved reading…
It would be hard to imagine how a Stitch and Bitch event fits in with Stephen Harper’s description of artists as a bunch of snobs…
The Jets are coming! The Jets are coming! Well, hold on there little Jimmy, not so fast. While there may indeed be a team moved…
Allow me to commence this “comment” with characteristic self-absorption. Perhaps this is self-evident, but I am a man of eminence, of success. Indeed, my appetite…
By far, the worst Halloween treat ever is walking out onto your front door on a chilling Halloween morning, only to discover that your front…
“Where is here?” To Winnipeggers it is a query that haunts our collective psyche. It is forever glued to the dashboard of our mind, taunting…
The person responsible for changing stage sets must have gone home following this opening performance of Strong Poison, and taken a bath in Absorbine Jr.,…
She stands in a small room, exuding confidence. Wearing a baggy hooded sweatshirt and black pants, her grey hair is cut into a shaggy style…
At first glance, theatre is an archaic art form, utterly outdone by its more glamorous and accessible counterpart, film. Why, then, is it important that…